Highlight : Shervin Boloorian

Q: What inspired your new album?
SB: It’s an album of sacred songs, and chants from ancient texts. Each one has a positive message and is recorded in the original Persian or Arabic. The songs on my album “One with the Beloved” are mostly original compositions and others are my versions of traditional Sufi Mantras and folk songs.  

Q: How did your upbringing influence this album?
SB: I grew up in Britain in an Iranian refugee household. We spoke Farsi at home (Persian) My parents had lost virtually everything in Iran. It was humbling to experience being an outsider and to learn the importance of compassion and friendship at a young age from certain English friends we had who were kind to us.  I went to the US to go to college after getting my GCSE.
Iranians revere figures like Rumi (a 13th century philosopher and poet), whose texts are the main inspiration for the lyrics used in my album. Rumi himself was a refugee who had a revelation which transformed his creativity. I resonate with Rumi’s journey and his wisdom is timeless and universal to me. Leonard Cohen and Coldplay are among the most well known musical artists who have been inspired by his messages, yet his name seems to fall into obscurity. I am hoping to change that through my new album.

Q: Can you explain more about your vision of unity over separation?
SB: Whenever there is political violence that may hold a person in dread or despair that you pause before judgement and consider that this is a desperate act and not how people normally are. Of course some will say that is already happening, but is it really sinking into our consciousness that Islam, Middle Easterners or people of faith in general are not a danger? When people make these claims, they are attacking every person of faith and rather than to debate which side is wrong or right, I wanted to make a contribution showing the world that there is a universalist message from within a faith, which is wrongly associated with violence.
We in the West are urgently lacking when it comes to reversing stereotypes in a meaningful way about civilisations that we have been at odds with. Policies of alienation and adversity are outdated and are not working as they stand. We need to start focusing on humanising and not ostracising those we cannot understand—and engaging from that place. That means calling on imagery, figures in history, literature and artistic expressions that can help us regain a more complete picture of those who have been our so called “enemies”. If we can do it in a way that is relatable, then I believe, lives can change as well as perspectives.
I believe everyone can relate to a figure like Rumi because of the tremendous appeal of his writings and it’s no accident that he is experiencing a resurgence today at a time when our relationship with the Middle East is at its most chaotic. We need more of his voice.     

Q: What measures do you feel people could take to try to overcome the current worldwide barriers of political mistrust?
SB: I could say what everybody else says: “vote” “be engaged civically” and “write to your elected Rep” and generally I would respond in such a way, BUT the truth is we’ve had colossal failures when it comes to our policies concerning the Middle East.
When it comes to something like our relationship with Iran for example (and I worked in Washington on this issue) there is a lack of reliable information and it creates this sense of desolation no matter what we do or where we turn. Historically, when our institutions are gridlocked, it’s up to the grassroots to get involved and to come up with alternative ways of pursuing the positive change that we urgently need. That’s not practical or easy when there is a large distance and gap in cultural awareness.
Music and the Arts are powerful tools in rebuilding that human bridge. Their potential is untapped here, and if we can make these tools accessible and personal, if we can trace the relationships between societal wounds and the wounds and fears within each person’s individual consciousness that exists, then there is hope, and I believe Rumi would approve. 
Q: What is Sound Healing and how did you first come across this?
It’s a holistic modality that involves vibration and frequency (not just music) and it can have positive effects on the consciousness and the physiology. I learned about the cellular research that Fabien Maman was doing on blood cells and their response to sound vibration and was inspired to become a practitioner. I went on train at Fabien’s Tama-Do Academy of Sound, Color and Movement and became certified as a sound therapist in 2011, two years after leaving my career in Washington DC. 

Q:You have worked in the past with many major businesses such as Google to provide their teams with Sound Healing and Talks. How did this come about and what has been the feedback and positive impact of these?

SB: I had someone who took a workshop with me in Bali who worked at Google. They invited my to their offices and I did a presentation for them in Singapore and had a great response. I have also done corporate events in Bali and shared about my personal journey to retreats and private groups as well as giving a demonstration of the deeply relaxing effects of the different instruments I play.

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